Saturday, April 30, 2011

Backwards writing and cut and paste creativity!


SPRING FLOOD 271 SCOTIA STREET

How I play around with songs now is quite unique (I think) from the sit-on-the-bed with pen and paper style most people are familiar with. I call it backwards writing because the flow of the process is exactly the opposite of the conventional ways a song might be written.


First I record some sound snippets. Nothing purposeful, whatever sounds interesting.Then if they survive a few days on my hard drive, they get reorganized into longer strings. This becomes a much more computer-centric process of cutting and pasting sections of notes and drum beats together with the goal of stretching out the likeable stuff into a two to three minute piece.

One good example of this is Spring. The musical bed is based on four different complete recordings. Then I took the parts I liked the best and stitched them all together. Then I added more percussion. Then I cut up the track again. I had no idea how this would turn out in the end. It was like throwing paint on a canvas. But then, I didn’t care about the end result and had no real expectation of a final result.

It just so happens I love editing music too. I love the surprises you get.


Then I record the piece onto a CD and listen to it
in the car going to and from work. I sing along with the music. It’s intentionally a very distracted process. I’m looking for subconscious help. I have sung along with an instrumental for days, dozens and dozens of times, with no real results. Then suddenly, usually when I am focused on something else, like a lane change or a red light, a line or a phrase bubbles to the surface. I grab it. Write it down later. Yeah, I look like a fool in the traffic. And it hasn’t improved my voice either.

Come to think of it, all of the lyrics I’ve used for t
he past five years on these projects were written while driving. I guess I could have called this project On The Road. I also thought of Writing Backwards as another possible title. (You may have noticed I also love titles.)

One of my favorite songs, The Last Waltz was wr
itten in 1969. It was first committed to tape in the backyard of a friend and when you listen to it, you can hear the ambient sounds of a summer afternoon. I include a few seconds of the original recording on the 271 CD because it has that energy of goofy young guys fooling around during summer vacation. With a very serious song.


Why a waltz? Because I wanted to try to write a song in ¾ time. Why the Last Waltz? Because for some reason I had become convinced that the world was going to end in August. Could it be that I had finished high school and was headed to first year University? It never occurred to me at the time but now it seems abundantly evident that I was terrified about the direction my life was taking.

Where would I be
Without an alarm
Without someone there
Always shaking my arm.

I still remember writing those lines. Over forty years ago. That’s how big an impact a few words and a couple of chords can have on my strange little brain. Many of the songs on 271 and Unevolved and Too Long Stupid Too Short Smart are a composed of old archival recordings, some between 20-30 years old.

Baloney was first recorded in Oakbank one night in 1993 when my two daughters were away at piano lessons. I used a classic DIY drum kit that had eight very basic clunky presets that was built by Larry Korba, a high school friend who loved kit building. All I had at that point was a drum track and a guitar. I’m not sure why I kept it but there was something I liked about the dopey percussion sound.

Larry Korba working on some electronic project.

Then in 2008 I transferred the cassette recording to digital and added another guitar track. In 2010 I decided to either fix it or send it to the big trashcan in the sky. So I cut out about a dozen bars with Audacity and recorded a bass line.
You can hear the same drum machine in the piece So Long, the basic track and voice which was recorded on a sunny Saturday in the living room of our home on Sun Valley Drive around 1988-89.

This was a case of desperatly wanting to just record the idea before I forgot it completely. The words were literally spontaeous to the recording and were never written down; one take on a beat up old reel to reel recording machine that I had bought used for $25. It died shorlty after that but I was able to transfer the recording to a cassette tape before it expired.


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